The face came easily as a sort of a guru. One eye close to introspect, one monocle to continue observing life fully and the third eye with an hidden view of the truth. That connection to the sublime. Then again later I found the background piece that would be perfect. A sort of universal city like setting. That was to be my canvas for the Labyrinth of the person's journey. The route. Of course the ground has to be secure and straight for balance, for hope and for strength. I am still to work on that part.
Notice that the shoes are very soft almost like slippers not to startle or hurt anything under the sole not even the smallest bug. "I love it"... To be said with a German accent for best effect..ahhahhaha
Do you think that to know what is behind a piece helps the viewer or not? does it send you to a different direction to the one that you were going? I would like to know what you think.
Do you think that to know what is behind a piece helps the viewer or not? does it send you to a different direction to the one that you were going? I would like to know what you think.
1 comment:
Love it Roxane!!
Nancy
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